Create Unique Percussion Beats with the Beatscape Factory Content In SONAR X1: Part 2; ProChannel

In Part 1 of this blog series, I highlighted the basic information to get the Beatscape content going in SONAR X1 Producer  without using the Beatscape program.  If you read that post and starting working a bit with the Beatscape content you probably found out that there’s some really good samples in there from which to draw.  In this post, I will dive into a few tips and techniques and focus in on The ProChannel to show how fast and easy it is to create a more tailored sound with Beatscape content (and any other sample based content for that matter.)

For me and my style of music production, it’s all about layers and a multi-dimensional vibe.  I started out like a lot of folks, on 2” tape and followed a lot of rules, but in this new digital era I rely more on my ear than I do on following fundamentals.  Don’t get me wrong, I think it’s more important now than ever to understand the fundamental concepts of recording and producing music, but it’s also just as important to rely on what you are hearing in relation to what you are going for.  Sometimes I will start out with something that sounds quirky or not pleasing to the ear; a person in the room will look at me like I have two heads, and then within minutes they don’t even recognize what I started with.

I like to blend multiple elements together to create a “part.”  In this video example by simply using the Beatscape content and The ProChannel, I will take 8 samples that sound cluttered together, and then shape them into one interesting loop that will sound more professional than where it began.

1.)    I started with the basics by finding 3 kicks I liked, and 3 snares [snare and claps] I liked and shaped both using the ProChannel so that they worked well together as a groove.  As you will notice, working with the ProChannel is lightning fast in terms of a workflow; everything is right there so there’s no inserting plugins or switching back and forth between screens and menus.

2.)    I then arranged the snares and claps using the Smart Tool so that they created a unified part.

3.)    Next, I added top loops to add depth and dimension to the groove.  As you will hear, when these loops are first pulled into the mix they are very prominent and overbearing.  Again using the ProChannel I was able to quickly sculpt these top loops to add character to the groove as a whole.  Using the Smart Tool once again, I copied over one of the loops and reversed it to set up a dramatic effect.

4.)    Finally, using the ProChannel I called up a mastering Preset which instantly added thickness, volume and control over the whole new loop.

In this video you will see and hear not only how great the Beatscape content is, but also how powerful the ProChannel is in terms of sound, workflow, speed and ease of use.  There’s a solid reason behind the fact that SONAR X1 is buzzing in the music industry.  There’s no other DAW on the market that covers the territory of SONAR X1 Producer.  If you are serious about music creation and production, go to our Dealer Finder here and pick up an investment in yourself and your future; The SONAR X1 Production Suite.