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Optimized for VISTA x64: Rapture 1.2

Cakewalk’s award-winning Rapture is the ultimate wavetable synthesizer for igniting the sounds of today’s pop, dance, and electronic music scenes. Sounding like no other synth, Rapture offers brilliant sound design capabilities with patches that blend up to six different elements. Available for PC and Mac.

Out of the box you get a stunning collection of over 500 programs including Basses, Leads, Pads, Arpeggios, Textures, Electronic Percussion and Sequences. At the heart of Rapture’s six-part sound engine are powerful, multi-mode wavetable oscillators. These pristinely produced wavetables provide a virtually endless array of sonic possibilities, plus you can multiply each oscillator up to 9 times across the stereo field with controlled detuning, creating some of the fattest sounds ever heard.

New Features in Rapture 1.2:

-Envelope Generators can now be retriggerd from the Step Generator
-Internal Tempo with Tap – Rapture can now sync to its own internal t tempo
-You can now save and load presets in the Envelope Generator and Step Generator sections
-Envelope Generator now autoscrolls when entering nodes
-Knob Focus Indicator – the currently selected knob will now have edging around it
-Built-in DC Offset blocker to remove unwanted DC Offset distortion
-Up/Down selectors now have direct text entry by double-clicking on them
-New alternate ‘Zoom On View’ mode in the Envelope Generator
-Vista x64 improvements – the installer now allows you to choose to install either the 32 or 64-bit versions of Rapture on Windows Vista x64

All registered Rapture customers are eligible for the free update.

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NAB 2009: Robin Answers The Most Common SONAR & V-Studio 700 Questions

As the NAB Show wraps up, it’s a good time to reflect:

I have to say that for a product that has only been on the market for 2 years, I was amazed at just how many people I met, who have adopted the SONAR REAC Recording option for the V-Mixing system (Digital Snake and/or M-400).

As mentioned before, the REAC sends 40 channels of digital audio down a CAT-5 cable. Connect the cable to your PC’s network card and the Cakewalk REAC driver will pump the audio into SONAR. Many live venues, houses of worship and rental companies are taking advantage of the recording option. Using this option, the tracks record directly into SONAR. Once in SONAR the ‘live’ tracks can now be mixed, edited and mastered for either DVD, CD, web, or other formats. Obviously, this opens up a whole range of possibilities as you essentially have a 40 track recording studio at every live event whether it is a sermon or an outdoor rock festival.

Aside from the REAC recording customers, I spoke with many people who were in disbelief of the power and functionality SONAR has. I never like to say ‘no’ to customers, so NAB has been a great show and here’s a few examples why:

Customer: Can I use SONAR’s 64-bit internal audio engine on a 32-bit operating system?
Me- Yes , you can!

Customer: Do you have 64-bit audio plugins for mastering?
Me- Yes, we do and they’re included in SONAR.

Customer: What if my other plugins are 32-bit, I can’t use them right?
Me: Actually, SONAR has something called Bit Bridge which allows you to run 32-bit plugins on a 64-bit system.

Customer: Does Cakewalk support SONAR and/or the VS-700 running under Bootcamp?
Me: Yes, we do.

Customer: If I have a multitrack project that is in stereo, is it possible to convert it to surround?
Me: Yes! Just add a surround bus and route your tracks to it.

Customer: What about a surround mix to stereo?
Me: Of course, just reverse the steps and assign the tracks to a stereo bus.

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Artist Spotlight: Paul Russell & Calamity Studios

The Adventures of a “Displaced Englishman”, 1950s Bollywood samples and the Singapore-based studio with SONAR at its core.

By Oz Owen

Make no mistake – the unusually monikered Calamity Studio is far from living up to its name. Quite the opposite, in fact. Singapore-based Calamity bills itself as the A/V production arm of composer and producer Paul Russell’s Pi2 Creative Services, a successful ‘boutique’ marketing agency.

Paul’s passion for music and production translates into a full studio diary, keeping him busy on a wide range of projects – whether creating original music and soundtracks with the help of an impressive roster of songwriters and musicians from as far afield as the UK, Australia and the USA, or – as his latest project ably demonstrates – weaving vintage Bollywood samples into contemporary compositions.

At Calamity, Paul specialises in creating original compositions in a variety of genres – from ambient through dance to straight-ahead rock/pop. What’s more, he’s making a fine living doing exactly what he loves.

Paul first got hooked when he picked up a bass guitar back in 1976 – the time when musical anarchy was running riot across the UK thanks to the Punk explosion, but it was some years before Paul set about creating his first recording studio, trading in his trusty four-track Portastudio in favour of a more upmarket eight-track setup in what was fast turning into a life-changing quest.

Fast-forward to 1999 and we find Paul living in Singapore, running his own creative agency and building his first digital recording studio replete with Cakewalk Pro Audio 9 to capture every nuance of his compositional ideas. Within a year, SONAR arrived on the scene, and life would never be the same again… Calamity Studio was becoming unstoppable!

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