Your guitar tone can change significantly by carving out the correct frequencies and reducing those that introduce unwanted noise. Distorted electric guitars tend to occupy most of the mid-range based on their nature of their sound. This mix was tricky because the band is instrumental and their music relies heavily on the layering of multiple guitar tones.
Here I have chosen to attenuate the unwanted rumbling of the of the low end of the rhythm guitars using the supplied HPF. The bass guitar is rather guitar-like in this song therefore it is important to make room for that. The HPF for Guitar 1 was applied at 50Hz and similarly to Guitar 2 at 47Hz. Why not the exact same frequency you ask? Having the slightest Continue reading “Subtractive EQ Part 2: Heavy Rhythm and Lead Guitars”
Did you know that the Party Animal / Rock Star Andrew W.K. is a SONAR user? With the exception of his 2006 release ‘Close Calls With Brick Walls,’ W.K. has recorded all of his albums using SONAR. As told to EQ, “I really liked working with SONAR because I could have multiple regions of audio in one track and overlap them to make this collage of waveforms’.
‘Brick Walls’ proved to be a change from the usual for W.K. as he literally stepped outside the ‘walls’ of his software to collaborate in real time with the legendary Rastafarian Lee ‘Scratch’ Perry. ‘He is the first person I have met who truly uses magic in the studio,’ states W.K. The pair jammed out a whole album with the help a few mics and a small group of session musicians to play the backing tracks. Without the help of a computer, the instruments were mixed naturally in the air.
Read the whole article on Andrew W.K. at EQMag.com