Using Cakewalk Drum Replacer: The “Right” Way and The “Other” Way

The “Right” Way:

There’s more than one way to use Drum Replacer to trigger your drum sounds. Which of these you choose will depend on the material, as well as your preferred outcome and workflow. First, let’s take a look at some of the intended, more traditional uses of Drum Replacer.

A mixed drum track or loop

A fairly standard Drum Replacer use is to augment or altogether change the drum sounds on an already-mixed drum track. The examples below play an unprocessed SONAR drum loop, followed by the same loop reinforced by Drum Replacer.

Filtered Drum ReplacerWith the built-in filter mechanism, it’s easy to isolate each piece of the drum kit and replace it individually. For this particular loop, focusing the filters to 67 Hz for the kick and 673 Hz for the snare ensured replacing the right sound. I wanted to soften this already-punchy loop by replacing the kick and snare sounds with something a little more “airy,” then blending these with the original. I chose the included WholeLotta Kick and WholeLotta Snare samples for their lighter, more pillowy qualities and blended them roughly 70/30 with the original drum track. Combined, they create a pleasantly complex, tight-yet-sustained sound.
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Special Offer: Dimension LE Virtual Instrument for $19.99

With over 400 sounds, Cakewalk’s Dimension LE virtual instrument for Mac and PC, packs a sonic punch. It’s classic synth sounds coupled with Garritan Pocket Orchestra (strings, bass, woodwinds, piano, and percussion) is everything you need to create one-of-a-kind compositions. Powered by Cakewalk’s Expression Engine, Dimension LE supports multi-sample rendering, wavetable synthesis, waveguide synthesis, REX playback / manipulation, and includes an extensive DSP library of effects.

Don’t settle for the same old sounds. Purchase Dimension LE through April 30, 2010 at the Cakewalk E-Store for only $19.99!

Classic Cakewalk Tip: Get Looped!

If you’ve ever tried to record a perfect rhythm track before, you probably understand how hard it is to play the same part perfectly, over and over again. For years, audio software engineers have tried to find a way to make that part of song construction easier and less time consuming, so you can spend more time creating and less time trying to emulate that perfect take! On the other hand, you may be a great vocalist yet lack the skills to add your own backing band to the project. With numerous instrument loops available on the market today, you can construct your own multi-track masterpiece without breaking a sweat!

To learn how to create, add and edit loops in Cakewalk products start here

Take a look at this video produced by our friends at Smart Loops:

EM Magazine Hosts SONAR 8 Masterclass On Groove Tool, Beatscape

If you haven’t seen Electronic Musician’s master-class on SONAR 8’s new loop instrument, Beatscape, this would be a great time to check it out!

Via basic, easy to follow instructions, EM takes you through the process of importing and organizing audio files into Beatscape’s library and more. A brand new feature to the SONAR platform, Beatscape offers 16 pads to load and trigger your loops or samples for sequencing your music and beats. It also includes a massive 4GB REX library with preloaded material (beats, breaks, phrases in many genres). With drag and drop capabilities, Beatscape brings a new level of entertainment to remixing tracks!

Take a look at the masterclass in full at EMusician.com

Happy 127th Birthday to Igor Stravinsky!

To honor one of the most influential composers of the 20th century, we thought it fitting to post this amazing rendition of Le Sacre du Printemps or The Rite of Spring, arranged in SONAR by Cakewalk user Jay Bacal.

The two-movement piece is shown as a series of four videos – two of which Jay has yet to post. Performed on a 16GB Quad-core Windows VISTA 64-bit PC, Bacal used Vienna Symphonic Library to emulate the pristine sounds of the orchestra and arranged the piece using SONAR 8’s Piano Roll view.

Known as Stravinsky’s most controversial work, The Right of Spring caused a great riot at it’s debut, at the Théâtre des Champs-Élysées in Paris, France in 1913. Performed by the Ballets Russes, the intensely rhythmic score and primitive scenario – the setting evoking pagan Russia – shocked audiences accustomed to the more modest conventions of classical ballet!

Please don’t cause another scandal but feel free to tell Jay what you think of his latest project on the Cakewalk forums!

Day 2: The Future Producers of Hip-Hop Battle It Out

Live From One Stop Shop Music Producers Conference Phoenix, Arizona, Day 2 (May 9th… 1am overlooking Phoenix city lights from a Jetblue red-eye to NYC)

Hope everyone had a Happy Mother’s Day! Day 2 technically starts at 12:00am from yesterday so I will pick it up from there. We found ourselves at Club PHX with Sha Money and many of the talented producers and artists who attended One Stop Shop. I have to admit, I had no idea that Phoenix was such an after-hours kind of town. The club was packed and as always when hanging with a bunch of musicians after midnight, the conversations flowed candidly about gear, projects and the state of the music industry.  Everyone I spoke with agreed that no matter how much turmoil the music industry is facing, it’s an amazing time for musicians who want to take control of their own music (and future) by empowering themselves with tools such as Cakewalk. As you will read later, this proved to be true from the OSS Beat Battle.

My wakeup call rang early. Seth Perlstein and I caffeinated up and prepared for what was to going to be a very busy day. The second day of the “V-100 Challenge” brought new talent early and with fury as MC’s jumped on the Cakewalk mic like it was nothing. I was amazed with some of these cats when I asked them if they wanted to hear the beat first…  or warm up… or something…  nope – these dudes would just step up to the mic and throw lyrics like they had been there all night practicing. Today we had some MC’s representing Boston, Phoenix, Florida, Dallas, Queens, Brooklyn and even Mississippi.  I’m glad I’m not the one deciding on who is walking away with SONAR 8 Producer. Thanks to all the cats that participated and please check Youtube this week for a V-100 video montage.

In between the action of the rap battles, we were pretty psyched to connect with some great producers in the game who stopped by to say hello and get a 1 on 1 taste of the new V-700, that is creating quite a buzz in the Hip Hop world. Neither Seth nor I had ever met Pete Rock and it was a pleasure to connect with him as well as Don Cannon, Just Blaze and Drumma Boy.  Throughout the day there were some pretty heavy panels going on as well.  Sway moderated a panel I caught in the afternoon with RZA, Just Blaze, Pete Rock, Steve Lobel, and many other pioneers in the game.  It was interesting to hear these guys comment on modern production and the state of the music industry.

Later on in the afternoon, we were approached by Microsoft Technical Evangelist, Arif Gursel, along with Sha Money who offered us an opportunity to demonstrate the V-700 right before dinner in front of all the conference goers.  It was a bit of work breaking down our booth and setting back up on stage but it was well worth it.  Seth Perlstein took the stage and did a great job going through some of the main features of the controller, interface, phantom synth and also fielded some questions from the crowd.

In the evening, I interviewed Lee Bannon who has been using SONAR and Project 5 on his recent project with Talib Kweli. Then we checked out the finals of the beat battle and it was crystal clear to me that we are in the middle of a music revolution.  Basically, any undiscovered producer could submit beats for this competition and it was ridiculous how crazy-good the final four contestants were.  Some of these new age producers are really thinking outside the box, that is outside the box with how they are constructing the beats, and the sounds were very refreshing to say the least.

Thanks again to Sha Money and I definitely recommend this conference to any up and coming Hip Hop producer for two main reasons:

1) It’s a great place to easily network with some name brand guys because the vibe is “we’re all in this together”.

2) It’s a great place to get your work out there if you really have an amazing talent.

Summer 2009: Boost Your Sound Library At The Serious-Sounds Network

Cakewalk has teamed up with The Serious-Sounds Network to bring you a summer of endless sound-sculpting possibilities!

Over the next three months (May, June, July) we will be giving away free copies of Z3TA+ and Rapture, along with Craig Anderton’s New Electronic Guitars Expansion Pack. At the end of each month Cakewalk and Serious-Sounds will draw two lucky winners at random.

Serious-Sounds.net is a massive members-only community for music producers providing tutorials, help, and advice on the world of music production and more- all available for free!

TO BE ELIGIBLE to win the contest all you have to do is either log in or register at Serious-Sounds.net(registration is quick, free & easy) and answer a few simple questions located in the exclusive competition thread. Then simply email your answers along with your member username & number to the address provided within.

PLEASE REMEMBER: You must be a registered member at Serious-Sounds.net to view content on The Serious-Sounds Network. If you’re not already signed up, then register today!

Optimized for VISTA x64: Rapture 1.2

Cakewalk’s award-winning Rapture is the ultimate wavetable synthesizer for igniting the sounds of today’s pop, dance, and electronic music scenes. Sounding like no other synth, Rapture offers brilliant sound design capabilities with patches that blend up to six different elements. Available for PC and Mac.

Out of the box you get a stunning collection of over 500 programs including Basses, Leads, Pads, Arpeggios, Textures, Electronic Percussion and Sequences. At the heart of Rapture’s six-part sound engine are powerful, multi-mode wavetable oscillators. These pristinely produced wavetables provide a virtually endless array of sonic possibilities, plus you can multiply each oscillator up to 9 times across the stereo field with controlled detuning, creating some of the fattest sounds ever heard.

New Features in Rapture 1.2:

-Envelope Generators can now be retriggerd from the Step Generator
-Internal Tempo with Tap – Rapture can now sync to its own internal t tempo
-You can now save and load presets in the Envelope Generator and Step Generator sections
-Envelope Generator now autoscrolls when entering nodes
-Knob Focus Indicator – the currently selected knob will now have edging around it
-Built-in DC Offset blocker to remove unwanted DC Offset distortion
-Up/Down selectors now have direct text entry by double-clicking on them
-New alternate ‘Zoom On View’ mode in the Envelope Generator
-Vista x64 improvements – the installer now allows you to choose to install either the 32 or 64-bit versions of Rapture on Windows Vista x64

All registered Rapture customers are eligible for the free update.

Free Club Presets Available for Z3ta+1

Need new sounds for your mix? There’s a new library of club presets now available online for Z3TA+. Check out the video and grab the presets at Synthtopia !

Whether you’re looking for luch, warm pads, slowly evolving atmospheres, searing leads or sparkling FW sounds, Cakewalk’s Z3TA+, delivers the goods and includes hundreds of professional presets. Z3TA+ is an award-winning analog-style synthesizer with incredible sound-shaping capabilities. The exclusive bandwidth Waveshaping technology makes Z3TA+ one of the best and most respected synths in the industry.

As a complete instrument, Z3TA+ is oriented to the professional musician and sound programmer looking for uncompromised sound quality and features. Z3TA+ ships with DWi, VST, and stand-alone versions.