SONAR X2 R-Mix: Remix / Remaster Case Study

Overview
I recorded my first album with a jazz quartet in 1991. OMG, 21 years ago last century – has it been that long? The original recording was released on cassette tape (!) and is now long out of print. Over the years I got requests for a reissue of this recording from friends and people curious about the music on that project. I had a DAT tape of the final mixes which I had fortunately transferred to WAV files before the tape died (those things have a limited life as I found out the hard way). Unfortunately whenever I’d listen to the mixes, they sounded dated and suffered from some fundamental issues that made them unpleasant to listen to:

  • Hard panning of the instruments. (makes mixes uncomfortable to listen to especially on headphones)
  • Relative levels of instruments were unbalanced
  • Center of mix lacked definition
  • Lack of dimension and air
  • Missing mastering attention

On a couple of occasions I tried using various mastering tools to rectify some of these problems. However the deal breaker was always the faulty imaging – anything I did would ultimately end up negatively affecting the rest of the mix without adequately addressing the fundamental problems. While working on SONAR X2 earlier this year, I saw R-Mix’s abilities to isolate a voice in a stereo field and remembered this project – would R-Mix be the tool that to use to fix that mix?¬† I’ve always been a fan of Roland’s V-series technology, so the idea of virtual remixing piqued my interest. Continue reading “SONAR X2 R-Mix: Remix / Remaster Case Study”